風(fēng)的電話
2024-08-10 19:36:18
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小春(莫托拉·世理奈飾)的父母和親弟弟,在2011年的“3·11日本地震”引發(fā)的大海嘯中喪生,時(shí)年8歲的小春,隨后只能寄住在廣島的姑媽家,原本臉上掛著笑意的妙齡少女,也變成了沉默寡言的孤僻女孩 原本,姑媽打算要回巖手探訪,誰(shuí)知那天小春放學(xué)回家,卻發(fā)現(xiàn)姑媽倒在地上,廚房里正燒著菜,嚇得平日里講不來(lái)一兩句話的她,立刻打電話向醫(yī)院求救 心中郁結(jié)難舒的小春,獨(dú)自逃出,走上了回巖手縣的路 在途中,福島核電站工人森尾(西島秀俊飾)幫她趕走幾個(gè)臭小子 森尾的目的,是去尋找曾幫助過(guò)自己的朋友,誰(shuí)知,卻在一家餐廳打聽(tīng)到,朋友被當(dāng)作難民被關(guān)押了起來(lái),于是帶著小春去探訪了朋友的家人 他載著小春回到自己福島的家,小春受邀與年邁的森尾父親一起吃飯,聽(tīng)他們講述福島人在經(jīng)歷天災(zāi)后的種種 后來(lái),小春搭載森尾的車(chē)到達(dá)大槌町 大槌町有一座“沒(méi)有電話線的電話亭”,供生者向死者傳達(dá)思念 小春像被引導(dǎo)著似的走向那里 莫托拉·世理奈小春西島秀俊森尾三浦友和公平西田敏行今田渡邊真起子廣子 山本未來(lái)友香池律祥子森尾的姐姐カトウシンスケ 友香的弟弟占部房子明日香的母親別府康子公平的母親筱原篤小春的父親 石橋けい小春的母親高橋里恩不良少年橋本太郎、山元一朗、上條典夫、有馬一昭 、宮崎伸夫、東根千萬(wàn)億、一力雅彥、宮崎大、長(zhǎng)澤佳也、內(nèi)海直大、松浦敬、柏山弦 、菊地學(xué)、吉田高德、青村麻實(shí)、中西康浩、小金澤剛康諏訪敦彥是安祐諏訪敦彥、狗飼恭子灰原隆裕世武裕子佐藤崇山田真太郎林チナ 宮本茉莉舟橋正生山本タカアキ徐賢也企劃泉英次 音效佐佐井宏大演職員表參考資料小春小春演員莫托拉·世理奈莫托拉·世理奈配音-17歲的高中生,沉默寡言,個(gè)性孤僻 她在東日本大地震中失去了父母、弟弟,寄住在廣島的姑媽家 姑媽意外病倒后,她只身前往故鄉(xiāng)巖手縣,在這一段旅途中,她的心靈創(chuàng)傷得到了救贖 森尾森尾演員西島秀俊西島秀俊配音-原福島核電站工作人員,和小春一樣,他在大地震中失去了家人 他在去尋找曾幫助過(guò)自己的外國(guó)朋友的途中,遇到小春遭到不良少年糾纏,遂挺身而出救下小春 公平公平演員三浦友和三浦友和配音-開(kāi)輕型卡車(chē)的司機(jī),與患老年癡呆的母親同住 外表粗野,但心地善良 他在路上救了暈倒的小春,還請(qǐng)她回家吃飯 從他和他的母親口中,小春聽(tīng)說(shuō)了廣島所發(fā)生的各種災(zāi)難 今田今田演員西田敏行西田敏行配音-森尾的父親 經(jīng)歷了地震、海嘯和核事故,很多人離開(kāi)小鎮(zhèn),但他仍執(zhí)意葉落歸根 從他的講述中,小春得知了福島人在經(jīng)歷天災(zāi)人禍后所遭受的種種不公平待遇 角色介紹參考資料最初,莫托拉·世理奈在為參加試鏡而閱讀該片劇本時(shí),一度因?yàn)橹魅斯脑庥龉适逻^(guò)于悲傷而難過(guò)得不想?yún)⒓釉囩R了 諏訪敦彥曾表示片中西田敏行不停說(shuō)話的那場(chǎng)戲的表演太精彩,本來(lái)想全部采用,但如果那樣做,片長(zhǎng)將達(dá)到3小時(shí),所以不得不忍痛剪掉一部分 獲獎(jiǎng)時(shí)間獲獎(jiǎng)獎(jiǎng)項(xiàng)獲獎(jiǎng)方備注2020年第70屆柏林國(guó)際電影節(jié)新生代青年單元(14歲以上)-最佳影片《風(fēng)的電話》提名新生代青年單元(14歲以上)-特別榮譽(yù)《風(fēng)的電話》獲獎(jiǎng)第75屆每日電影獎(jiǎng)Grand Prix新人獎(jiǎng)莫托拉·世理奈提名最佳導(dǎo)演諏訪敦彥提名最佳攝影灰原隆裕提名第14屆亞洲電影大獎(jiǎng) 最佳導(dǎo)演諏訪敦彥提名2021年第94屆電影旬報(bào)獎(jiǎng)最佳新人女演員莫托拉·世理奈獲獎(jiǎng)2019年4月11日 ,制作方宣布主要演員陣容 9月26日,宣布定檔日期并公開(kāi)海報(bào) 10月18日 ,首次發(fā)布特報(bào)視頻 12月13日,預(yù)告片解禁 12月26日,該片舉行完成披露會(huì) 2020年1月25日,在東京舉行公映紀(jì)念舞臺(tái)問(wèn)候,導(dǎo)演諏訪敦彥攜莫托拉·世理奈、西島秀俊、三浦友和等演員出席 劇照(7張)《風(fēng)的電話》是一部大悶片,但它又著實(shí)很好哭,哪怕只有幾個(gè)支離破碎的鏡頭,幾段看起來(lái)沒(méi)有油鹽的臺(tái)詞,就能令人感同身受,潸然淚下 整部電影的節(jié)奏十分緩慢,加上女主寡言的個(gè)性,令片子的前一小時(shí)幾乎都在慢悠悠的公路片中度過(guò) 影片的很多鏡頭,是未完待續(xù)的,需要依靠觀眾自己去評(píng)判,去補(bǔ)全,去思考 該片的臺(tái)詞和節(jié)奏感的處理,細(xì)膩到不行 莫托拉·世理奈在特寫(xiě)鏡頭和一鏡到底的機(jī)位下,哭得讓人揪心 電影結(jié)尾的幾個(gè)鏡頭特別美 (澎湃新聞評(píng))